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By the New Yorker
The 2024 Oscar nominations were announced Tuesday morning, including two nods for films released by The New Yorker. Representing the magazine in the Best Documentary Short Film category will be “The Barber of Little Rock,” about a Black small-business owner fighting racial discrimination in banking. “Knight of Fortune,” an offbeat comic drama set in a morgue, will compete for Best Live Action Short Film. The nominations mark the sixteenth and seventeenth times that films released by The New Yorker have received a nod for an Academy Award. Winners will be announced on March 10th, in Los Angeles.
“The Little Rock Barber” tells the story of Arlo Washington, an Arkansas man who strives to help his fellow African-Americans overcome prejudice in the banking industry. Washington operates a barber school where students are taught how to cut their hair and run their own businesses; it also operates People Trust, a credit union committed to serving the Black community, whose members face increased barriers to obtaining loans and other means of monetary support. John Hoffguy, winner of four primetime Emmy Awards, co-directed the film with Christine Turner and the former NBA player. Star Dwyane Wade was one of the executive producers. The filmmakers told the New Yorker, “While racial divisions in our country remain tremendously complex and likely to triumph, Arlo Washington shows us the way forward: a way, as Arlo puts it, ‘to level the playing field and create economic justice. ‘”
The fictional “Knight of Fortune” follows two men who form an unlikely bond after meeting in a morgue. Director Lasse Lyskjær Noer told The New Yorker that he hopes the Danish-language film will motivate audiences with its unconventional attitude about grief and loss, and that audience will respond by connecting with their loved ones. “We all want our friends and family’s, and my two main characters don’t have any of them,” Noer said. “You have to find it in each one of them. “
The New Yorker débuts short narrative and documentary films each month. The nominees, along with The New Yorker’s full slate of short films, are available to screen at newyorker.com/video, and on the magazine’s YouTube channel. To receive future New Yorker films in your in-box, along with movie reviews, profiles of actors and directors, and commentary on the 2024 Oscars race, sign up for the daily newsletter. ♦
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